A piece of memory from one friend to another.
Dhanurveda, science of fighting and war, is one of the Upavedas connected to Yajur Veda. It is mentioned also in Rig Veda 6.75.2 as Dhanav Vidya concerning bow and arrows, which are symbols of all weapons and missiles. All these weapons are to be used if absolutely necessary when all other peaceful and righteous methods have failed; to defend those who follow the varnashrama system when evil persons create obstructions in the spread of Vedic knowledge.
Dhanurveda was revealed by the Lord to sages Vishvamitra and Bhrigu, its original teachers. Another famous Dhanurveda teachers in Vedic times were Parashurama and Drona. They are prominent characters in classical epic Mahabharata, story of conflict among various kshatriya (warrior) lineages. Dhanurveda is considered the origin of Vajramushti, an empty-handed Indian martial art. Among ancient versions of Vedic martial arts derived from Dhanurveda belong Thang-ta (in Manipur, East India) and Kalaripayat, or Kalaripayattu (in Kerala, South India).
“Ranganiketan performances give samples of the music, dance, and martial arts of northeastern India. Thang-ta is a weapons-oriented form of martial arts that dates from the time of the Mahabharata. Both men and women learn these arts from an early age. With precision and strength, Ranganiketan artists demonstrate the various forms of Thang-ta, using swords, shields, scimitars, and occasionally their bare hands.”
Tansen (c. 1493/1500 – 1586), also referred to as Tan Sen or Ramtanu, was a prominent figure of Hindustani classical music. Born in a Hindu family, he learned and perfected his art in the northwest region of modern Madhya Pradesh. He began his career and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh (r.1555–1592), where Tansen’s musical abilities and studies gained widespread fame. This reputation brought him to the attention of the Mughal Emperor Akbar, who sent messengers to Raja Ramchandra Singh, requesting Tansen to join the musicians at the Mughal court. Tansen did not want to go, but Raja Ramchandra Singh encouraged him to gain a wider audience, and sent him along with gifts to Akbar. In 1562, about the age of 60, the Vaishnava musician Tansen joined the Akbar court, and his performances became a subject of many court historians.
Numerous legends have been written about Tansen, mixing facts and fiction, and the historicity of these stories is doubtful.Akbar considered him as one of the Navaratnas (nine jewels), and gave him the title Mian, an honorific, meaning learned man.
Tansen was a composer, musician and vocalist, to whom many compositions have been attributed in northern regions of the Indian subcontinent. He was also an instrumentalist who popularized and improved musical instruments. He is among the most influential personalities in North Indian tradition of Indian classical music, called Hindustani. His 16th century studies in music and compositions inspired many, and he is considered by numerous North Indian gharana (regional music schools) as their lineage founder.
Tansen is remembered for his epic Dhrupad compositions, creating several new ragas, as well as for writing two classic books on music Sri Ganesh Stotra and Sangita Sara.